Years ago,
I went to Italy for the summer.
I fell in love with Italy then,
did a lot of cooking but mostly fell
in love with how
delicious everything was.
I really appreciate dishes
that are very, very simple.
I don’t know.
I’ll never feel like a chef.
I feel like a mentor.
I feel like a restaurant owner.
Nobody says “Yes, chef” to me.
[]
-Good morning.
Good morning.
Good morning.
-Good morning.
[background conversation]
-Do you need a refill?
One, fantastic. Oh my favorite.
Thank you. They’re my favorite.
They had one left.
-You got it?
-I got it. Would you like some?
-That’s okay. Enjoy it. [laughter]
-Are you sure
you don’t want a little?
Cafe, cappuccino the best.
-Thank you. Thank you very much.
-In all of Umbria.
-Thank you.
Umbria is big.
[background noise]
[]
[background conversation]
-Hi, Nancy. Welcome.
-Thank you.
-Hi.
-Hi, Aldo.
-Welcome back to Panicale.
-Thank you.
Aldo, please, a glass
of Montefalco.
-Perfect.
-Thank you.
Do you need more ice?
-I’ll have a ghiaccio. It’s okay.
I’ll take your ghiaccio.
-Thank you, Aldo.
Would you like to buy a bed
and breakfast because
I know a perfect one?
-Oh my god.
Have we got a great one right here.
-Maybe.
-It’s beautiful.
-The one with the cover?
-Yes. [laughter]
-I have people that
would like to cook at it.
[]
-33 years ago, I rented a house
in Tuscany outside of Lucca.
I fell in love with Italy
then and I luckily I was
in the position that I could
buy a small house in Umbria.
I have been going every
summer and every winter since.
It’s my ideal vacation
because it’s a vacation
that I get to cook
at where I have my knives.
I have my platters.
Just the comfort of being
in a home rather than a hotel.
For me, a real vacation is
being away from the pressure
of running a restaurant, but still
being able to cook on my terms.
Look at my yield of my–
-You’re kidding.
-Do not eat one of those.
-Just one.
-I don’t have-
-I have to try it.
–that many. [laughs]
-Yes. Here you go,
are you going to finish it?
-Finished the coffee.
All right, Corina,
you’re going to take care
of the plates and the whole setting.
I’m going to have to decide
if I’m going to use my pretty
little plates or just the standard
white big ones, so they can load up.
-Let’s use your prettier one
because it’s such a small
group then they can go back
and get more if they want, all right?
-Okay.
-No plastic?
-No plastic.
-No, this is not a plastic party.
Okay, so now as far as food.
Potatoes, tomatoes-
-Tomatoes.
–cauliflower, cabbage,
onion, ceci, escarole.
-Escarole.
-I have onions and I have
some mixed salami.
-Salami, okay. Slice.
-I’m going to slice on the slicer.
Who’s dog is that? [laughs]
-Is the gate open?
Where did it come in from?
From there?
That is hysterical. [laughs]
-Cauliflower-
-The cameo.
–with the-[laughter]
-I’ve never seen that dog before.
[laughter]
-Nancy is truly a pioneer in the food
industry, especially in Los Angeles.
-Since the beginning
of my career writing about food,
Nancy has always
been an important figure.
It was just exciting to watch
where her palate would go,
what her interests were.
Nancy is like a nucleus,
she draws people into her orbit.
-She’s difficult.
Nancy is meticulous.
-Obsessed which is
fueled by a raging curiosity.
-Above all of those things, I think
she is so good at getting out of each
person that works
for her what her vision is.
[]
-With Nancy,
you know that there’s something she’s
searching for in her brain
that is unique.
-My late husband Jonathan
Gold called it urban rustic.
It’s not just about the meat
and the vegetables,
but all of the little
things that go with it.
-She is still so
interested and excited
about what she does on a daily basis.
It’s so inspiring.
-She found this way of combining
Italian food and California food
and melded it into something that
actually turned out
to be game-changing.
-It’s fascinating to me
that she became so
besotted with Italy because
when I first met Nancy,
she was besotted with bread.
-Hello, John Davis.
-Hey, boss. How are you?
-Do you have an apron for me,
something?
-Yes, I do.
-Okay.
-What about your glass of wine?
-I’ll take that as well.
My free glass of wine that I get
for showing up and visiting you.
[chuckles]
-I met Nancy in 1991 when
I did an internship at Campanile
Restaurant which is
one of her first restaurants
and then eventually
got hired on as a pastry
assistant and then eventually
became a pastry chef.
Nancy is our founder and we like
to collaborate and we like
to work together.
-Always helps with cooking.
-There you have it.
-Well, perhaps with baking bread.
-Enjoy it.
-I will.
-You come very well dressed to bake.
-You can tell that
I don’t bake anymore.
Caramelized onion
and olive breadsticks.
-Your salt is over here
and here’s your yeast.
I’m using dry and then
here’s your olive oil.
-Great.
La Brea Bakery when I created it,
I didn’t know where
it was going to lead.
It wasn’t like there
was a model or I said,
“What I want to do
is I want to build
a bakery and then
I want to turn it into
an empire and then I want to write
a cookbook and then I want–”
You know? Nothing was premeditated,
it was as simple as I was
going to open a restaurant,
there wasn’t a lot of good
bread available in Los Angeles,
why don’t I try to figure
out how to bake a loaf?
That was really the story of La
Brea Bakery, nothing more than that.
-The starter we use is
what Nancy created 30
years ago and we’ve
been continually using it.
Here’s the starter we keep
that’s been around for 30 years.
The starter is now
in all of our bakeries.
We have one on the east
coast in New Jersey.
We have a large one here
in Los Angeles, in Van Nuys.
It’s also made it all
the way over to Ireland,
where we have a bakery over there.
Then we also house
it in a sourdough library in Belgium.
When I first started
working with Nancy,
I was straight out
of culinary school.
She definitely demands perfection.
-I was not a yeller.
I’m not a yeller. I know that.
-No, you’re not a yeller.
-You’d be lying.
-[chuckles]
I do remember getting
yelled at by her though.
Must not have been you.
-Not by me.
-[chuckles]
[]
-My late husband,
Jonathan was the restaurant
critic for the Los
Angeles Times and what
he loved about following Nancy
was following her obsessions.
-We’re adding flavor
to it that it can’t help it taste
good and smell good when
it comes out of the oven.
-She will latch onto something
like she did with bread
and it was just exciting to watch
where her palate would go,
what her interests were.
-I know that there’s been
several aspects of my cooking
career that have given me
notoriety for lack of a better word.
Starting with when I did
the desserts at Spago,
then moving on to Campanile
and La Brea bakery.
I became known for my bread.
-When Nancy and Mark Peel decided
to open Campanile in Los Angeles.
It was considered
a major food event.
-Then I watched her fall
in love and I watched
that love start
to seep into the plates.
Mozzarella is what changed
everything for Nancy.
[]
-Good morning.
Some bufala, bocconcini.
Maybe one affumicata.
-One affumicata.
-Yes.
-You’re going to have
a good lunch today.
-The bufala that we use
at our restaurants in Los Angeles
comes from Italy,
comes from exactly the same area.
I have to say it tastes nothing like
the bufala that you eat in Italy
because bufala has a short shelf life
but it’s not supposed
to be refrigerated.
It firms up and it turns
into something else.
It’s the best that we can do
but there’s nothing like eating it here.
As soon as you bite
into it it’s like a sponge,
and all of the milk oozes out,
and that experience you don’t
get in the United States.
[]
-Dirty boots.
[]
-With the bufala,
how many girls how many boys?
-We have 400 girls here, adult girls
and there’s one boy per 25 females.
We are in full mating
season now because
the mating season goes
from March to September.
And so they should be at work.
-Hard work. Right?
-Hard work, yes.
-Hard work,
but someone’s got to do it.
[]
-You can tell the boys by the size.
The size of the horns
and the size of the animal.
-Look at that.
Oh, I want to go under that.
-That that machine is never still
basically because they love being
scratched and they take turns
and they actually fight for the scratcher.
-I love that they know to go there.
-Yes, I think we’re going to have
to get more because actually,
we’ve seen that
animal well being brings
more production
and better production.
-Is the original mozzarella bufala?
-Yes. Actually in Italy,
we have a distinction we call
mozzarella the one from bufala,
fior di latte is the one from cows.
-You don’t even say
mozzarella di bufala you just say
mozzarella and you know right
away that that means it’s from
bufala and when it is from a cow,
fior di latte.
-Fior di latte it’s from a cow.
He’s very curious.
-Where do they like to be touched?
-Generally the nose.
-The nose?
-They really like it.
-Hello, nose.
Each of these bufala
they get milked twice a day?
-Yes.
-Each one.
-Each one.
They know when the time is,
so you’ll see they’ll be
waiting outside of the gate.
-Wow, because they’re like heavy.
-Actually we are in the moment where
the bufala milk is
the highest price ever.
There’s a huge shortage
of buffalo milk because there’s
high demand and not
a big population of buffalos.
I’m very glad that we are
in Tuscany because
the brand is very strong
in any food product.
Wine, oil, you name it.
We are actually the only
producer from Tuscany
that can say that the milk
100% from Tuscany.
-Right.
[]
-Let’s separate it. Wow. Nice.
-The stairs.
-Attention. This is like my house.
[]
-It’s very small.
Very small cheese factory.
-Small.
Yes, we work with small quantities,
just our milk.
All our products are
made with 100% buffalo
starting from mozzarella cheese.
We’re the only dairy
producer in Maremma
that produces 100% buffalo products.
We have some curd
we obtained from milk.
Then some whey is added.
It’s like sourdough bread.
We add rennet
to whey and then there’s
a procedure of breaking, and drying.
This is the result.
I’ll let you taste it.
Now it’s tasteless because obviously
adding hot water, fat dissolves.
-It’s still good.
It still taste good
but it doesn’t taste finished.
It doesn’t taste finished.
-This one here goes into
the machine that carves the paste.
It’s put in here,
and we start with maturation.
-This right now is just
stringy and separate
and it doesn’t really
feel alive at this point.
-Now he’s adding hot boiling water,
so it can be stretched.
Be careful, it’s very hot.
It becomes white as a pearl.
-I don’t want to ruin their cheese.
Am I doing it right?
I’m not getting any direction.
-You need to stir
in the other direction.
-We’ll do it together.
That’s better, together.
I’ve done it in small batches
with a wooden spoon.
Not like this stuff.
-You change direction
so that the paste is
well laid out
and absorbs all the water.
-Now, it’s mozzarella, right?
-Yes. Now, this is mozzarella.
-Pasta mozzarella.
-The paste goes into
that machine which gives
us the size we want
based on the roll we put in.
[]
-What is he-Oh, wow.
Look at that. How many kilos?
-Two kilos.
I made 17 of them this morning.
-Just the way he fondles
it you know what he’s thinking about.
I’ll tell you.
-We’re in Tuscany
and it’s zizzona Maremmana.
-Wow. [laughter]
-Yes. [chuckles]
[]
[truck backing up]
-Nancy and I were
on the truck yesterday.
We found a couple
ingredients like the Castelfranco
and the baby radicchio that been bothering
Dragan about for a while now.
We’re really excited
to see it on the truck finally.
-How are you, Nancy?
Everything good?
-What’s with the handshake?
-Come on. Give me some love.
-Wait, are these oroblanco?
-Yes.
-When did these come in?
-Just starting right now.
Liz, you’ve got to try this.
You’ve got to try this.
-Do you have mustard flowers?
-Yes.
-Well, look at this size.
-Can I have two?
-Sure. Nancy, I have some really
nice spigarello and Erbette chard.
-Where?
-Guys, you got to check these out.
Liz.
-I love spigarello.
-Should we do 12 bunches?
This is 12.
-Yes, 12. Perfect.
[]
-Cooking is a craft really.
It’s something where
you master materials.
You did it every day
and your intense repetition
and commitment is what
creates the excellence.
With Nancy,
this part of her is very focused.
If you ever watched
her make egg salad,
the woman’s a maniac
in the best possible way.
She knows what
she wants it to look like.
She knows what she wants it to taste
like, to feel like, to smell like.
She does not rest
until she gets there.
-My only concern is, is
it going to eat too dry.
Let’s just do a vinaigrette around.
A drizzle of vinaigrette
just around here,
the onions and everything
but not there.
-She has a really great palate.
We’ll eat something and two
days later, two months later,
six months later,
she’ll say do you remember that?
Here it is but this is my version.
She would have improved upon it.
[]
-My ex-wife.
-Ex-ex-wife.
-Ex-ex-wife.
-I think Nancy will
always be relevant.
I can’t think of anybody
who’s made a more
important mark on the food
of the city and also
food to push the national
conversation about
dining and food
and ingredients and artisan-ship.
-First chicken tender I ever
had was about four days ago.
I was in my kitchen trying
to figure out what to make.
-Really?
-I never had it, have you?
-Really?
-The face of Nancy
for years was the product.
She didn’t want to be shown.
She wanted the food
to speak for her.
The thing that’s happening now
is people are learning who she is.
They’re seeing her face.
-Thank you. These are incredible.
My second one. It’s so good.
-Oh, have a third. We have plenty.
-Yes, it’s so good. Thank you.
-Nancy is a true legend.
She is the queen.
-Thank you.
[background conversation]
-I know that I was one of the earlier
well-known cooks in Los Angeles
that went off track
and as opposed to opening
up another high-end restaurant,
decided to open a pizzeria
that was new for Los Angeles.
Certainly moving
on to the Osteria and putting
the mozzarella cheese
as a big star of our menu.
-Yes, it’s in the city but based
on grilled food but also bringing
in a lot of great Italian flavors
but making it all California.
It’s very exciting to watch.
[]
-Her mom Doris was an incredibly
creative eccentric woman.
Eccentric in the best way that she just
had tons and tons of curiosity.
She also was a very
adventurous home cook.
Her father Larry really
was a close friend
of my dad’s and they would
go traveling together.
-My mother passed away
a number of years ago.
My father just passed away it would
be I think four years in March.
I was just finishing
the book Mozza At Home.
We had dinner together
almost every night.
It was always at 6:30. That was
where we were together as a family.
-Cheers. [crosstalk]
-Thank you. The table that
I have in my house now was
the table I grew up with
until I was 10 years old.
It’s still one of my favorite
pieces of furniture.
[]
-Nancy has three kids.
The oldest one is named
Vanessa and the middle son
is named Ben and then
the youngest is named Oliver.
I feel like I’ve always been close
with Nancy and all of her kids.
When Vanessa was born,
I think she was back to work
like two or three days later.
It was much easier when
they moved to Campanile
because they lived
in an apartment over the restaurant.
She could just run up
and down the stairs.
She always made it work.
They lived on the third
floor in the apartment.
We used to call the VIP
lounge because you could order
dinner and they would
just bring it upstairs to you.
Sometimes people would
drink too much and they would
go looking
for the bathroom and they’d
come up all the way
up the stairs and then
they would be a drunk
person in the living room.
[chuckles] You have to direct them.
[background conversation]
-It is so pretty.
We’re so lucky to be
in this place where we find
treasures every weekend
at the local little markets.
Today we’re in another.
You got all these treasures
and you keep saying it’s not for home.
This is for a project
I’m working on.
-Well, no.
I bought some for home here.
I never bring anything I buy
here back to Los Angeles
because I like to have
two different styled kitchens.
[]
-This time in Italy I’m actually
shopping for one of new projects.
I’m taking over, I told you that,
the restaurant in the historic lobby
at the Hollywood Roosevelt Hotel.
I thought it would be
great this time in Italy,
this summer to focus
on buying treasures for that.
[]
[background conversation]
-Really beautiful.
-You could just visualize
sitting at the lobby ordering
say like I just want a couple
of things to snack on.
Then I come over
your table and I serve on that.
Put a little olive, a little almonds,
a little potato chips,
and maybe a few crackers, right?
-Beautiful.
-When that comes to the table
like that it already tastes better.
-Absolutely. It is such a treasure.
-It’s so pretty until
someone steals it. [chuckles]
-Until someone steals it.
Five. We need five. Here it is.
-Here’s forty.
-Five.
-Thank you very much.
It’s a pleasure.
-Thank you.
Have a nice day.
-These are coffee grinders
and they’re super beautiful.
I’ve never used them
as a coffee grinder
but they are the best pepper
grinders. Whole black peppers.
What I love about it is
that it’s shrewdly coarse.
I love coarse black pepper.
It feels good.
-[crosstalk] Totally.
More importantly, we have
to think about dinner tomorrow night.
-Even though I think that
I leave myself plenty of time.
I’m saying like okay,
8:00 o’clock dinner.
That’s like okay, I wake up at 7.00.
How could you not possibly cook
for 20 people in that many hours?
Yet you always
at the last minute you’re
just scrambling to make
the table look good.
These people have
paid a lot of money
for this dinner for childhood
cancer research.
I’m not worried. You know what?
If one of those things doesn’t
happen or a couple of other things.
-Even though everybody did pay a lot
of money for this
special night with Nancy.
-I always get it done.
-You deliver.
-I always finish. When
I plan for a party I got to either
the Tavarnelle market
on Monday and I supplement
it just with the Italian
grocery store
and I fill my fireplace
with all the vegetables.
When you come to my house
you’re going to see bowls of onions.
You’re going to see cauliflower.
You’re going to see red peppers.
You’re going to see tomatoes.
Slowly one by one I bring
that bowl to my counter and I-
-Prepare it.
–prepare it, cook it,
it comes out prepared.
-It’s a succulent–
-It goes back to the fireplace.
-Exactly and I get
to be a part of it.
-It’s easy to have a memorable
meal in Italy no matter what it is.
If I made the same in Los
Angeles as I made here,
it’s going to taste better here.
There’s a home for it.
-There’s a home for all
these wonderful things.
These treasures that you find.
-I did buy enough for my house.
[]
-When you come into my home,
maybe I’m expressing it with colors.
Maybe I’m expressing it with
details of things that I like
or things that are simple
but I find to be beautiful.
Sometimes it’s just shapes.
I think that’s the same with my food.
I think that people that know me
could see 10 plates of food done by 10
different people and I think that
they could pick out the one that I did.
I think that’s important
for a cook to know
themselves enough to be
able to put that on a plate.
All in a day’s work, right?
An edible masterpiece
if I do say so myself.
-Do you have your tickets?
Welcome to the Nancy
Silverton Museum. Local artist.
This was a typical basement
all messed up and all
these rewards were
laying around downstairs.
I just put them together.
This is from the Nancy Silverton Day.
This is another thing from the city.
[]
-We met on match.com.
[chuckles] No, we didn’t.
The programmer would be fired from
match.com if they got us together.
We’re opposites.
Not opposite but we’re not
the typical together thing.
I like this picture of Nancy
with her hair all wild.
That’s a good shot. This bottle here,
one of our friends they had that.
There’s wine still in here.
That’s good to know. We met at a bar.
It was her bar, but it was bar.
On Thursday nights
at her old restaurant,
she’d get behind the bar
and make grilled cheese sandwiches.
It’s called Grilled Cheese Night.
I went for the sandwiches,
stayed for her.
[]
-I need a drink.
-You’re a journalist and an author?
-I wrote one book.
I guess that, you know.
-Tell me a little bit.
Who are you? What do you do?
-I’m a journalist.
I covered the street gangs
in Los Angeles,
Watts and South Central.
It makes for the contrast of being
in the housing projects during the day,
Nicholson Guards, Jordan Downs,
and then come to Mozza at night.
I love the contrast.
It’s a wonderful life.
[]
[background conversation]
-Just like I love
and appreciate beautiful food,
I also love that on my body.
Simple, beautiful shapes,
colors, and textures.
I love it. It’s cute.
-It’s very cute.
-I would never use
the word improvisation either
in Nancy’s food
or in the way she dresses.
I think she’s very intentional in the way
she approaches her ingredients.
I definitely think that
how she puts herself
together is in that same
level of intentionality.
-If I put any of those elements on,
I would look crazy.
-Wow. I do not feel
comfortable in a baggy pair
of jeans and an oversized sweatshirt.
This is exciting.
It’s not even work.
I’m more comfortable
when I get up in the morning
and I get to curate what
I’m going to wear that day.
Hi.
-Hi.
-Morning.
-Morning.
-How are you?
Just like I like to curate
how a plate is going to look.
-If you talk to Nancy about how
she puts together let’s say salad,
you will understand
that every single
leaf gets hit with
salt or acid or fat.
There’s no part left unseasoned.
I feel that she’s like that with
the way she puts herself together.
Then the crown, of course,
is her hair and all the tiny
little beautiful barrettes that
she uses to take her unruly,
curly tresses and keep
them nice and in control.
I love it. That’s it.
[]
-Opening up a new
restaurant at the Hollywood
Roosevelt Hotel was not
something that I looked for,
it was an opportunity
that came to me,
and because the Roosevelt
Hotel is such an iconic hotel,
especially if you grew
up in Los Angeles,
I thought it was a great opportunity.
Hi.
-Hi, [chuckles] Have you been
here since this went up?
-You know what,
I was here the day-We were here
the day that they cleared
everything out.
-That big demo day.
-Yes, but-
-Wait till you see it now.
–it was not the wall up, but what’s
so interesting is you wouldn’t
even know that there’s
anything behind it.
-I know.
-That day you knew that
a restaurant was being torn apart.
-Yes, it was coming.
[]
-I forget.
Does the fountain sing or going?
-The fountain and the chandelier
get re-envisioned, so new design,
but they stay as part of the–
-It has to be a fountain.
-Fountain and there
has to be a chandelier.
Do you want to see the restaurant?
-Yes. Are they working now in here?
-They are,
we’ve got a team in there.
They just completed
the demo and they’re
doing all the guts
of the operation now.
Really opened up.
-Yes, really opened up.
-You are walking into
your show kitchen right now.
-Which is, how long?
-Essentially, it starts here
and will go all the way to here.
-So much longer than I thought.
Look how beautiful the windows are.
-Yes, they really stand out.
Here you have
your banquette seatings.
-That is the bar in the lobby.
-That’s the lobby sidebar.
-Wow.
-This gets all new finishing.
-Then will you be able
to see through or no,
is the wall going
back as a back bar?
-There’ll be a back bar that’s
essentially here but you will
be able to have some sight
vision through to the lobby.
-Boy, it looks just so much bigger.
-Pretty dramatic.
-It is.
[]
-When I first was offered
the opportunity to open
up a restaurant
at the Hollywood Roosevelt,
the owners didn’t tell me
what kind of restaurant to open.
They said,
“What do you think should be here?”
Given the history
of the Hollywood Roosevelt Hotel,
I felt that the restaurant
that went in there
should be some sort
of a traditional restaurant,
and I wanted it to be
one that could have
been there since
the opening of the hotel.
I immediately thought
about a steakhouse.
I started to think about
my father’s ancestors
and the fact that
they were cattle farmers.
I love their last name Bearish,
it’s just a classic name, the Bearish,
it feels solid, and it feels
timeless and it feels like
a restaurant that
could be there forever.
This was given to me in 1972.
That many years ago, the author
of this small paperback book did
the history of Canadian Jews
in Saskatchewan, Canada,
and my ancestors,
my father’s mother’s side of the family
was part of the settlement.
There was their farm.
This was in 1912.
The logo of the Bearish
has that diamond,
so the graphic designers
try to incorporate
part of the logo with
the detail on the farm.
-How’s the menu progressing here?
-Great.
We spend a lot of time
writing menu that’s too big,
so we are paring it down,
but at those menu meetings,
I interact with them
and give them my vision
of the menu and how
it will play out,
and they’re taking that
language and turning
it into tasty food
and they’re doing really great.
-One of the great things
about Nancy is that she loves
working with people who
have great new ideas and talent.
She gets into a mind-meld
with another chef
and they exchange ideas
and come up with something great.
I think a chef can take
something to her with
an idea and she will
make it better and better
and better so that you can
achieve that idea that
you had in your head that
wasn’t quite working yet.
-I’m wondering,
do you think we should put the-
have a vanilla that
also has eggs in it.
What I’m trying to teach
to the cooks that work with me is
really giving them not only
the encouragement but the respect
and a little bit of my opinion
and helping them to develop
into leaders and mentors
and better cooks themselves,
so that when they leave my kitchen,
they can carry
on and help other people
to become better
cooks and better leaders.
[background conversation]
[] [background noise]
[] [background conversation]
-Nancy is one of the most interesting
people I know in this business.
I think her role now is
much more global in terms
of the brand and the restaurants
and the management.
I’m sure that makes
her nuts in a way because
she’s a chef and she wants
to have her hands in.
I think that’s one reason why she’s
so involved with Matt Molina who
was the Executive Chef at Mozza and then
he left to do Triple Beam Pizza.
I think she loves working with Matt.
They have an incredible rapport
in the way they think about food.
It keeps her young
and rooted in a younger world.
-What I was saying
to Diego last time or what I’ve
talked to him about with
the knots is that I felt that,
as opposed to just
having say a garlic butter,
I love what you and I actually
taught them to do at the pizzeria
which was having whole cloves
of caramelized garlic in there.
This could be, eventually,
kind of your stuffed roll.
It could be a meat pie. It could
be a whatever you want to throw
in this because it holds
its shape so well.
It bakes with a beautiful color.
It can be anything.
This could be your–
-Yes, it’s a vehicle.
-It’s a vehicle.
Really Diego, worlds better.
-It’s good, dude.
-Nancy is one of my biggest mentors.
She is a friend.
I would say mainly she is
someone that I can collaborate with
and could take advice from or I can
go and have a glass of wine with.
We bounce a lot
of ideas off of each other.
We get the best out of each other.
-Try that.
After you’re done chewing.
[]
-That’s it.
[phone rings]
-Oh Jesus. What? That’s fine.
Yes, we just don’t want-Okay.
Did you find the Tartufo?
What about pepato? They have
a quarter like the pepperoncini.
No, one with black pepper.
Yes, I know. That’s fine.
That quarter one. Black pepper.
They have two. Pepato.
I don’t know what
else to say to you.
I don’t know what else to say.
You got the bufala?
Yes, but did you get
mozzarella or did you get bufala?
He’s fired.
-I know.
-No, Billy. I can’t talk to him.
You talk to him.
He needs bufala. [chuckles]
Tell him. All right.
-Okay.
-You can’t get good help anymore.
-You’ve been handed
over to Corina because
you got Nancy on frustration level.
[chuckles] I give up.
I couldn’t do it.
-It has to say bufala.
If it doesn’t then it’s not bufala.
He’s got a list.
-I know. It’s like, really?
-Tell him I said to him to continue
on to Rome and get
a flight back home.
[laughter]
[]
-We might be able to cross
something else off the list,
which would be unbelievable.
It’s 45 minutes to wine time.
Wine time is always
12 o’clock at my house.
-Let’s pretend it’s noon.
-I’ve never had a real
helper in the kitchen.
This is quite a treat.
Wine time might be
at 11:30 as opposed to 12:00.
-I know, well-[]
-Basil pesto that I make
here tastes nothing
like the basil pesto that
I make in Los Angelas,
but all the herbs have such
a better flavor that I’m used to.
That’s a lot of pesto.
-That is gorgeous.
-Look at that color.
It’s just, it feels like Italy to me.
[]
-This is aperitivo.
We have some cheese,
crackers, olives,
just a little snack that
when people arrive
and usually the dinner
is not quite ready,
they’ve got something to snack on.
All right.
I think that does it.
[]
-I don’t know why I am so obsessed
with food and it’s not
so much eating,
but there’s something about
the ingredients that it takes
to put together something
delicious I’m fascinated with.
I think for me, really,
what drives me is flavor.
Flavor and beauty.
Is this what you’ve been waiting for?
-Thank you very much.
Awesome.
-The bufala.
-We all really like to get together
and have dinner
and it’s never not fun.
-I like to cook with
people as often as I can.
It makes it more fun.
I like the aesthetic.
When it’s someone like
Deb and a handful of other
friends that I have,
that we have a similar aesthetic,
I’m happy to cook
together and really looking
forward to the dinner
party we’re having tonight.
-Wine time.
-It’s always wine time for me.
-It’s always wine time.
-I’ve got an open bottle of red.
-This guy?
-Yes.
-These are pretty glasses.
-Yes. I’m going to use
them tonight for our party.
-These are beautiful.
-Deb worked for me
for a few years at the Osteria,
and we’d love to talk about
food and talk about ideas.
She comes to me with
dishes she’s working on.
Okay,
I’m going to get this in the oven.
Hey, you know what?
I clipped some fresh
bay leaves from my tree.
How about a few bay leaves?
-I like that idea.
-We grew together as cooks
and still growing together.
Deb visited me last summer
in Italy and we cooked together
and turned it into a wonderful
dinner party and it was so fun.
I learned so much from her.
You make something that complements
and changes what I make already.
That’s how some of these
dishes came about.
-This is a Persian lime.
-When you say it’s Persian lime,
it’s Persian fresh-It was
a Persian-French lime and variety.
-Right. It’s–
-It’s not like a key lime
or a Mexican lime, it’s a–
-Correct. That’s what Persians who
live in America call a Persian lime,
but it’s called limoo amani.
That’s the Persian way to say it.
[]
-Nancy has a whole thing about,
she doesn’t when people
show up at the house
and the candles have
just started like that,
so you have to pre-burn
everything so that it looks casual
and not like it’s a catalog
picture or something like that.
The way that Nancy plates food,
everything’s supposed
to look like it either
fell from the sky
or grew from the plate,
so it’s the same
then with the flowers.
All these leaves are all turned,
so they look they’re facing
the sun. These are so cute.
My first job out of college
was working at La Brea bakery.
I was her assistant for a lot of it.
I don’t have any
culinary experience,
and I would go on weekends
with her where I was
chopping up herbs as she was
getting ready for an event,
and now I’m a florist, and so I do
flowers, as Nancy would have me do.
I do the flowers for her restaurant.
I personally kept
coming back to be a part
of her inner circle
because she inspires me.
She’s always been my mentor,
and I know that anything that
I’m working on if I approach
it with the same
earnestness that she does,
I know that I’ll do it better.
-Hey, Nicholas, how are you doing?
-Hi, Nancy.
-Nicholas.
-Pretty smashing?
-Pretty, pretty smash-Are you keeping
these in my metal sculpture?
I like it.
-Yes, it’s so convenient you have
this brutalist sculpture because
I’m using it as the basis
for the floral arrangement.
-Oh, this table is
going to look fantastic.
You know that we’re
only using this for food.
This table-Oh,
you’ve already started on this.
-I thought we needed to get
a sense of what all the sizes are
for everything because I don’t want
to make the arrangements too high.
-My thought was,
when everybody comes,
rather than a stand-up cocktail hour,
I thought we would all sit down
and we’re going to eat some
mozzarella, and some fried peppers,
and some crackers,
and bufala mozzarella.
-Lovely.
-It’s only like 12 people or something
like that if everybody shows up.
Everyone supposedly
is coming at 6:30.
-I guess I better get
going on the buffet.
-Yes, because we need that
whole long table for all of it.
-I’ll finish that.
-By the way,
there’s plenty of food to eat.
-Yes, I will stay,
and food sounds good too.
-[laughs] Thanks.
All right, I’ll see in a bit.
-Okay.
-Okay if I rough chop these herbs?
-Yes, and mix them together.
-And you’re going
to add them later on?
-Yes.
-Okay, all right.
All right, Deb, this is really rough.
-I like it. Do you like it?
-I do for you, but it’s like,
if anybody at my restaurant said,
“How’s this chopped parsley,”
I would definitely send it back.
[chuckles]
-I like it like that.
-No, it’s good.
[]
-I like it.
-That’s fine.
-Me too. Okay, so rice, carrots.
-Ribs.
-Ribs.
[]
-Let’s start plating, okay?
I love that blue one.
-I love this–
-No, but I like that one.
That looks so Persian.
-For the rice?
-Yes. Sorry, but it’s a–
-That’s a compliment.
I love that color.
[]
-All right, I’m just going to pile
my potatoes in here
with all the garlic.
I’m going to crumble
in my cooked rosemary
and sage because I love it in there.
I’m really very happy
with these potatoes.
-Yes, they look so good.
-You know what?
I have to say, you know what
makes it pleasurable
for me to entertain?
-Tell me.
-Is I just love
having all the right-
-Stuff.
–stuff to serve it in,
to serve it with.
It just makes it that
much more enjoyable.
-I wish we could always
entertain together.
[]
-[uncorks bottle of wine]
Yes.
-I like it.
-The color is so pretty too.
-Perfect, great.
-God, when I uncorked that wine,
amazing.
-I thought it looked amazing.
-Amazing.
-These are almost
done on the fat side.
We’ll go inside, do the rice.
I’ll come back for these.
[]
-We’re ready to party.
[]
-Can you see what’s on the table?
Ike, look what’s on the table.
-There’s wine.
-I see nona’s juice-
-Look at him smiling.
–and I see mozzarella.
-Did you see the candle,
do you see it?
Do I hear momma?
Do I hear momma?
-Margy’s here.
-You’re late Margaret,
what’s the time?
This is my daughter. My figlio.
-Figlia.
-Figlia, sorry, and this is my–?
-Nipote.
-Nipote.
-Vanessa and her husband
Raif are always there,
Laurie Ochoa and her two
kids are always there
and everybody really
enjoys each others’ company.
-This one?
-Yes, that’s a free agent.
This is here,
I’m going to put it right there.
-The finalit’s always just
down to the very last, last minute.
This is actually just
going to go right there.
We’ve completely run out of space.
-The platter, right?
-Yes.
What time do you want to grill?
-You need need to grill because
we’re going to eat mozzarella,
how long is it going to take?
-[crosstalk] I’m going
to do this with rice.
-Tell everyone to sit down.
-Per favore, take a seat.
-Let’s come sit down.
-Please.
[background conversations]
-Deb and I made a really
lovely buffet, so I hope you like it,
and you can come up and help
yourself. Where’s Deb? Deb?
-Yes.
-You’ve got to help me
pronounce everything, I can’t.
-Okay. Lamb riblets
with a Persian lime spice,
eggplant with Persian
whey and turmeric onions.
-Pepperonata with onions and olives.
These are–
-Celery.
-This is so good.
-This is–
-Finally, something delicious.
[laughter]
-Thank you, Vanessa.
-This is celery stew.
-Roasted potatoes.
-Potatoes.
-Bagna cauda, for those who
like anchovy with their potatoes.
What I feel like I’m doing is
I’m bringing people together,
hopefully at a table
where the pleasure
of eating and being
together makes people closer.
-I just want to say,
only at my mom’s table
is the wine glass bigger
than the water glass.
-Thank you, Vanessa, very much.
-It’s always the opposite.
-That’s good, it’s a good idea.
-That’s how it should be.
-It’s like,
“Here’s a thimble of water.”
-These are wine glasses.
[]
-Certainly, I really appreciate
dishes that are very, very simple.
I think that there’s different
aspects of the cooking
process that speaks
to people and I think for me,
really what drives me is flavor.
What matters to me in the food
that I make, it’s very simple,
I want to make
something that’s delicious.
When a dish tastes
like it’s satisfying,
I feel like you taste
the food of somebody’s soul.
[]